![]() Material harks back to the procession and the first chorus. The tenĬarols are divided in two sections by the harp interlude whose melodic The use of the harp as the only accompanying instrument. Is heightened by the plainsong processional and recessional as well as Of ancient carol texts, creating a cyclical unit. One ofīritten's most popular works, the ceremony welds an exquisite selection For our final recording of the year, we have collaborated with a brass quintet to perform this joyous Baroque Christmas motet.Thank you for your support duri. Parts, two soloists, and harp, was born during an uncertain voyage on boardĪ Swedish cargo ship traveling through the submarine infested AtlanticĪs he returned to England from America during World War II. Procession Wolcum Yole! There is no Rose That Yongë Child Balulalow As dew in Aprille This little babe Interlude In Freezing Winter Night Spring Carol Deo Gracias (Adam lay i-bounden) Recessionīenjamin Britten's serene Ceremony of Carols for three treble Robert Beckwith and the choirs of Smith and Amherst Colleges, Massachusetts, Is not intended for liturgical use, but was composed for Iva Hiatt and Something "avant garde." Finzi lived most of his life in the country,Īnd was a collector of rare books and grower of rare apples.įinzi's grand setting of the Magnificat, Mary's song of praise, Years old, left him open to the contempt and indifference of many who expected His music, written in a style considered by critics to be at least forty 40 (Giovanni Gabrieli) near Fleming Island, FL, including online concerts, free concerts. His special talent and most characteristic music being found in his songs. A calendar of upcoming performances of Hodie Christus Natus est Ch. He was a musical poet par excellence, with Gerald Finzi, a British composer noted particularly for his vocal andĬhoral writing, worked in the English tradition of Elgar, Vaughan Williams, Tonight we hear five of them spanningĢ5 years of his career as a composer from his student composition, the NativityĬarol of 1963, to the Angel's Carol and What Sweeter Music, both published His settings of carols-both arrangements of traditional tunes as wellĪs his own original compositions. What Sweeter Music Shepherd's Pipe Carol Nativity Carol Twelve Days of Christmas Angels' CarolĮnglish composer John Rutter is well-known for his church music, and especially John Rutter(1945-) Selected Christmas Carols Virgin Mary, Magnificat anima mea ("My soul magnifies the Lord,Īnd my spirit rejoices in God my Savior"), a paraphrase of Luke 1:46-55.Ī setting of the Magnificat is also heard on To the textual climax of the Vesper office, the exultant Canticle of the Is a paraphrase of Luke 2:11, 13-14 and Psalm 33:1 and follows as the antiphon A plainsong setting is used by BrittenĪs the procession and recession for the Ceremony of Carols. Two jubilant settings from the high renaissance Hodie Christus Natus Est comes from the liturgy of the vesper (1557-1612) and Jan Pieterszoon Sweelinck (1562-1621) Hodie Christus Natus Est Sweelinck and Gabrieli: Hodie Christus Natus Also set in English, a translation by Anonymous/Unidentified Artist composed by Benjamin Britten.St Joseph Pro Musica Concert - DecemProgram notes home.Settings in other languages, adaptations, or excerpts: by Jan Pieterszoon Sweelinck (1562 - 1621), "Hodie Christus natus est", published 1619, from Cantiones sacrae.4 (1952), published 1952, from Quatre motets pour le temps de Noël, no. by Francis Poulenc (1899 - 1963), "Hodie Christus natus est", FP.by Claudio Monteverdi (1567 - 1643), "Hodie Christus natus est", published 1581, from Sacrae Cantiunculae.by Giovanni Gabrieli (1558 - 1613), "Hodie Christus natus est".by Caterina Assandra (1590 - c1618), "Hodie Christus natus est". ![]() Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive): by Bible or other Sacred Texts, a medieval paraphrase of Luke 2:11, 13-14 and Psalm 33:1.Note: in the Gabrieli version, "alleluia" is added at the end of lines 1,2,4, and 7 in the Sweelinck version, "alleluia" is added at the end of line 2, and "Noe!" is added at the end of lines 1 and 4.ġ Monteverdi: "Alleluia" omitted by Sweelinck.
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